Flosstradamus speak to ThisIs50′s Young Jack Thriller about gang violence in Chicago, the EDM scene, their origins, and more.
Official video clip for Flosstradamus’ new single, “Mosh Pit”, out now on Ultra Records.
Flosstradamus team with rapper Casino for this unapologetic trap anthem, “Mosh Pit”. After hitting 1m fans of Facebook, the track will be released Friday night, December 13th, when they play Washington, DC.
Chicago’s powerhouse dance duo Flosstradamus release “Pillz”, a collaboration with Amsterdam trio Yellow Claw and house legend Green Velvet, today on Fool’s Gold / Ultra Music. Flosstradamus have been in the studio collaborating with the likes of Waka Flocka Flame, Casino and Travis Porter, and will begin revealing these anthems-in-the-making early next year. Check out [cont.]
Flosstradamus and Yellow Claw revisit a Green Velvet classic on “PILLZ”, a new track to be released on Fool’s Gold on October 4th.
Major Lazer starts the day off with two new remixes from its Free The Universe LP, with Flosstradamus’ remix of “Bubble Butt” and the “Blass Reggaeton Remix” of “Scare Me”. We hope that Juvenile change-up is just Flosstradamus trolling.
The Flosstradamus remix of Flux Pavilion’s ‘Do or Die’ is out alongside the FuntCase remix and a remix of ‘Starlight’ by Mully on the 23rd July.
Flosstradamus give a preview of their upcoming trap remix of Major Lazer’s “Bubble Butt”, via this YouTube clip. While the clip is an in-studio video and doesn’t offer the full studio sound, it gives us an idea of what to expect from the track when it drops.
Flosstradamus celebrate hitting 100,000 Facebook “Likes” by offering up a free download of their Big Sean sampled track, “Assquake”.
Flosstradamus and DJ Sliink preview this new track from their Nomads EP, which hits tomorrow on Fooooooooool’s Goooooooold.
Chicago hip-hop influenced production duo, Flosstradamus, are gearing up to take Austin by storm in two weeks with their official TURN UP! SXSW showcase. Set for Friday, March 15th from 9 PM – 2 AM at Republic Live (301 W. 5th Street), the showcase will feature performances from Supreme Cuts, Toddla T, Cashmere Cat, Mykki [cont.]
The Trap movement is on the brink of becoming a global phenomenon in the world of EDM. Sizzling with stripped-back, sleazy sonics, it’s rattling hard bass has taken our dancefloors by storm. So as a way to contribute to the scene, AEI Media presents to bass lovers everywhere, the one and only album necessity of [cont.]
Chicago powerhouse DJ duo Flosstradamus are gearing up to bring hours of trapafied dance frenzy to crowds across North America throughout their Underground Nights Tour this spring. Kicking off on 3/7 in Madison, the dates traverse across the continent through March and April with support from Atlanta’s DJ Spinz, the producer behind hits from Ca$h [cont.]
LIL TEXAS – BAH HU₵₵I x GUCCI – VANISH // TRAP BACK DJ CARNAGE – KAT!E FEAT. KATIE GOT BANDZ A$AP FERG – WORK JWLS – JWLS IS BORED IIV (LOBSTER BEAT) GENT & JAWNS – TURN UP LOUDPVCK x gLAdiator – SCALEY (PYRAMID JUKE REMIX) ALEX YOUNG – BOOMERANG KENDRICK LAMAR – SWIMMING POOLS [cont.]
One of the best cuts from Flosstradamus’ X EP gets a video. This track was also featured on the debut episode of Hellafine Fridays.
Infusing Atlanta and Miami influences—among other hip-hip stylings—with current EDM, Fool’s Gold-affiliated Midwest duo Flosstradamus stands at the forefront of the trap scene. Here, JAY Z’s Life+Times catches up with Flosstradamus in San Francisco for the kick-off of their recent tour with Dillon Francis.
Converse Rubber Tracks has premiered a new exclusive “Oh Hello” short-film this week featuring Converse Rubber Tracks recording artist Flosstradamus. In “Oh Hello!,” meet the Curt Cameruci and Josh Young of Flosstradamus. In 2006, Josh and Curt met thru a mutual friend and instantly hit it of. Describing it as a mistake, the duo knew [cont.]
We’ve seen a lot of people try to capitalize on the growing trend of “TRAP” music lately – that is, dirty south beats built around house samples – with a lot of generic results (please, for the love of God, no more trap remixes of “Moves Like Jagger”, or whatever). Instead, pioneers of the genre, [cont.]
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